“Their tight fit helps fight bleed into hot recording microphones,” says Bon. In the studio, Babehoven’s Maya Bon and Ryan Albert go for Sennheiser’s budget-priced HD 280 Pro for tracking. We're spoiled these days-there really are a lot of good headphones out there, but the HD600s are still a solid choice.” I’ve replaced the cable and earpads numerous times, the headband, left driver-it’s amazing. “I like repairing things and keeping them going, and Sennheiser makes it easy. They sound great, they’re easy to drive with almost any headphone outputs, light and comfortable-and I occasionally have 12-hour headphone-wearing days.” One huge bonus, he adds, is that their parts are replaceable. Grammy-winning producer, composer, and Clive Davis School of Music professor Bob Power likes Sennheiser’s open-back HD 600-“better than the more popular 650s,” he adds-and so does Portland’s Patricia Wolf, who uses them for “deep listening” and studio time, “to determine if there’s an unwanted sound that I might have missed while listening on studio monitors.” New York mastering engineer Josh Bonati, who has mastered records by Sufjan Stevens, Mac DeMarco, and Pharoah Sanders, among dozens more, calls them his “ol’ workhorses”: “I have three pairs and have been using them for well over 10 years now. Take the $1,151 you just saved and spend it on Bandcamp Friday.” “These are rock-solid cans that I use for tracking and mixing every day of the week. “I could recommend a $1300 pair of fancy planar magnetic closed back headphones, but you'd be crazy not to throw down $149 on a pair of Audio Technica ATH-M50x,” says Philip Weinrobe, a New York recording engineer who has worked on records for Adrianne Lenker and Deerhoof, among others. “They’re my favorite when it comes to sound-isolating earcups I like listening to demos on them because they are extremely detail-oriented, and I’m able to make notes for mixing or the mastering engineer.” New York techno producer Julia Govor likes the closed-back ATH-M70x, which boasts an unusually wide frequency range (5 to 40,000 Hz). “They're light, so you can wear them for a long time and forget that you have them on.” But Audio-Technica’s products are just as acclaimed in recording studios. “At home, the $50 Audio-Technica ATH-M20 headphones have been my longtime standby,” says Nabil Ayers, writer and general manager of 4AD America. “The higher ohm versions will sound great powered by a more powerful amp in a studio or hi-fi setting, but will be too quiet if underpowered by an iPhone.”įounded in 1962 in Shinjuku, Tokyo, Audio-Technica started out making phono cartridges from there it was a natural progression to turntables and eventually headphones. Using an audio interface with a dedicated headphone amp, a 250-ohms headphone will be the better fit. Higher impedance requires more voltage to get good sound, so for listening on a phone or laptop, 32 ohms is the way to go. One thing to bear in mind, Etter suggests, is to select the right impedance rating for your needs, since certain models come in 32-ohm, 80-ohm, and 250-ohm versions. They sound pretty great at both low and high volumes and they’re not too hyped or squeezed sounding, a problem so many modern headphones are suffering from these days.” They are by far the most comfortable over-ear headphones I've ever used-it's like wearing your grandmother's satin couch pillow on your head. “Are they the best audiophile headphones in the known universe? No, but they are very solid, with a natural sound that's easy to listen to and fairly priced. “The Beyerdynamic DT990 PRO or DT770 PRO are always my default pair to check my work in the studio, but also when I listen to music for fun,” adds Atlanta producer, mixer, and engineer Ben Etter. I prefer the gentle touch of the velvety cushion on my 770-resting rather than clamping.” Some really good-sounding headphones lose me for their punishing ergonomics. “They are not too bright, have a gentle low end-just very comfortable. “I’ve been using the same model headphones for a long time, simply because they don’t wear me out,” he says. Brazilian singer-songwriter Rodrigo Amarante, of the band Little Joy, likes the Beyerdynamic DT 770 PRO for their sound and their comfort.
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